![sree ragam varnam sree ragam varnam](https://i.ytimg.com/vi/-34F36frJE4/maxresdefault.jpg)
Due to time constraint the percussion team gave a sweet and short thani in Misrachaapu krithi - Pakalanilapadi on Karaharapriya. The song selection was welcomed very much by the audience and the kalaparamanams of the krithis rendered were getting special applause. While the concert was scheduled for 150 mts got reduced due to their meeting and for this one of the rasikas said that the shortened concert was indeed a great success as like the T20 worldcup. This as well as his singing the first line of each pallvi was in for great praise.īoth Sathya and Rajeev proved their talents in alapanas and kalpanaprayogams and the team was appreciated by one and all. While he did a good raga lapana for three kritis he did open always with a outline of teh raga for every krithi. Seshadri on Lord Vigneswara in the ragam Amrudhavarshini (may be the sudden rain in Chennai is due to this varnam only) set to Adi thalam and concluded with a mangalam on Lord Vigneswara with a Papanasam Sivan composition - Vignavinayaka Moorthikku Mangalam in Madhyamavathi. Sathya started off the concert with a varnam composed by Sri S. Sathya had the team of M Rajeev on Violin, Thillaistanam R Suriyanarayanan on Mrudhangam, J Sowrirajan on Kanjeera and Chandrasekara Sharma on the ghatmam. Knowing the audience taste and expectations Sathya had prepared for a list that at the end of the day was very much liked by the entire audience who had turned out in good number. It was a good evening as he was performing once again in a public concert for 50-50 Club at the SGS Sabha Wedding Hall premises on the 26th Sep'07. I am also pleased to give you a short duration video link of the day's performance. Sathya's performance has indeed exposed the ingredients of classicism even in a digital instrument. The concluding piece was a Madhyamavathi song. The mrudangam, kanjira and ghatam artists presented the tani was a high level of experience. The korvai which sathya played with absolute ease revealed his laya control. The main raga for the day was Karaharapriya (Pakkani Nilabadi) which also featured the tani. These included more of sarvalaghu and less of kanakku swaras.The kuraipu swaram ushered in enthusiasm as the violinist's deft fingers equally matched it. Siva Siva in Pantuvarali was embellished with skillfully woven swara patterns. The fast paced swaras were handled with great dexterity and the pitch bend was aptly used in the right measure. Following the krithis in Darbar and Keeravani, Marukelara was played, on the lighter note. Sathya's interpretation of Ananda Bhairavi raga with an air of tranquility, was pleasing to the ears. This was followed by the refreshing Guruleka Etuvanti a Thyagarajar krithi, the recital of which has become a rarity, these days. The crisp rendition of Varnam in Amrithavarshini provided a good start for the 2-hour long kutcheri. Sathya went about his performance like clockwork and clearly exhibited true professionalism in Wednesday's concert(26.8.07) held at SGS sabha Kalyana Mandapam for 50-50 club.
![sree ragam varnam sree ragam varnam](https://i.ytimg.com/vi/ZwON8BkyQcQ/maxresdefault.jpg)
![sree ragam varnam sree ragam varnam](https://i.ytimg.com/vi/nj8GsQMtQMM/maxresdefault.jpg)
I sincerely thank her for the effort taken and the support extended inattending the concert.
![sree ragam varnam sree ragam varnam](https://i.ytimg.com/vi/sBSRX_4_-NI/maxresdefault.jpg)
I am pleased to give below the review received froma rasika on the concert performance of Sathya on the 26th Sep'07.